Categories
Copyright

Text and Data Mining under Omani Copyright Law

Similar to the copyright laws of other Gulf states, the Omani copyright law adopts the exhaustive closed list system for copyright exceptions. This means that for a use of a protected work not to be considered an infringement, that use must fall under an explicitly stated exception under the copyright law. The fact that a use is personal, non-commercial, or accompanied by proper attribution, on its own, is not sufficient to protect the use against claims of copyright infringement. This is different from copyright laws that adopt a flexible copyright exception system, such as ‘fair use’ in the USA, where any use may be permitted, even if not explicitly mentioned in the law, as long as the use can be considered ‘fair’.
Copyright laws that adopt a flexible copyright exception, such as the US copyright law, are capable of enabling new innovative uses of technology without the need for the actual law to be amended, whereas copyright laws that adopted a closet list of exceptions, such as the Omani copyright law, are usually incapable of accommodating for new technological uses without amending the law.

An example of such a new technological use is the practice of ‘text and data mining’ – a research method that uses computer software to analyse massive amounts of data to look for interesting trends. As an illustration, text and data mining can examine thousands of medical records to identify links between certain symptoms and diseases in a way that cannot be done by a human individual. Similarly, such method can be used in the study of law to electronically analyse massive amounts of court decisions to identify trends and connections between different legal key terms. Due to the way text and data mining works, the computer software making the analysis must copy the data, at least temporarily. Because the Omani copyright law does not have an exception to permit copying in this specific case, text and data mining is considered an activity that violates copyright law if the permission of the author is not acquired. It is not practically possible to acquire permission for many text and data mining cases because the data is extremely massive in size and there is no way for the researcher to go and seek the permission of every single author of such data. If the data examined is public data on the internet, such as tweets or other user generated content, it might not be possible to even identify the author of the work.

This would not have been the case had the Omani copyright law adopted a flexible copyright exception like fair use. Under such a system, it would be possible to argue that text and data mining is permitted as long as the use satisfies the conditions for fair use. This does not only mean that legislators in countries like the USA do not have to waste their time amending the copyright law every time a new technology comes out, but this also makes the USA a much more attractive environment for the adoption of new technologies, such as text and data mining for research, because their law is flexible enough to permit it.

The copyright exceptions currently offered by the Omani copyright law are inadequate and do not satisfy some of the most basic needs of users in the country (we are the only country in the GCC that does not have a private use exception). Oman needs to have a text and data mining to enable the use of this method by researchers in the country. Oman should also reconsider the general way in which it implements exceptions under the copyright law and must seriously take into consideration the needs of the members of society when determining this issue.

Categories
Copyright

Open Access in the Humanities and Social Sciences

I recently attended a workshop for law researchers at my university, the School of Oriental and African Studies (SOAS), in which the majority of the attendees were actual academics from the law school. The objective of the workshop was to clarify the open access policies of research funding bodies in the UK, namely HEFCE and RCUK. I have to admit even though I have been to numerous open access workshops and conferences, this was the first time I attend an event where people were not  interested in open access and merely saw it as another hassle that they have to go through to get their job done. I guess it is not realistic to think that everyone would be a supporter of the open access movement, but I was really surprised how the law academics, especially those at SOAS, who teach and study justice and inequality in Asia and Africa, have no interest in open access at all and whether or not what they write can be read by the people in the countries they research.
It was difficult not to compare the vibe I felt in SOAS with the vibe at OpenCon, a conference I was very fortunate to attend just a few weeks before. It is certainly not fair to generalise, but the majority of the attendees and speakers at OpenCon came from STEM fields, there were very few speakers from a legal background, and definitely there were no keynote speakers who were law professors. OpenCon was a conference for people who already knew what open access is, believed in it, and came to share experiences and strategies for pushing it further. There were so many inspirational speakers, such as Mike Eisen and Erin McKiernan, who shared their stories of how they took open access as a matter of principle even though it did not seem as a wise career move, but they persevered and succeeded.

Even though the majority of the speakers and attendees were from the STEM fields, one session at OpenCon showcased a major open access developments from the area of humanities, namely, the launch of the Open Library of the Humanities. This project that is being led by Paul Even and focuses on the academic literature in the humanities. It creates a new business model for publishing open access journals that does not require end users to pay subscription fees or authors to pay article processing charges. This development is important because the current most common open access approach attempts to remove the barriers of access to academic literature by removing subscription fees from readers and requiring the author to pay a fee to have his or her accepted article published in the journal. The Open Library of Humanities relies on partnerships with libraries to fund a collective of journals through a library subsidy system in which each library can pay a few hundred dollars every year to support the publication of the open access articles published by the Open Library of the Humanities. As more libraries join the system, the contribution required to support the Open Library of the Humanities becomes smaller into a tiny fraction of what each library currently pays for subscription fees to commercial electronic journal databases.

The Open Library of Humanities officially launched in September 2015, but it already has the potential of being a major game changer in the publication of open access academic literature in the humanities. It does not publish any law journals yet, but hopefully someone can propose someone to them soon.

Categories
Copyright

Copyright Term in the Arab World Infographic

Copyright Term in the Arab World Infographic

Categories
Copyright

DRM and the Balance of Copyright Law in Oman

Like all copyright laws around the world, the Omani copyright law is meant to draw a balance between the ability of the authors to make a living out of their craft on the one hand and the right of members of society have a fair and reasonable opportunity to access and use cultural works.

Categories
Copyright

Understanding Copyright Term in the Arab World

A post I’ve written for GlobalVoices in collaboration with Sadeek Hasna. Check it out here.

Categories
Copyright Cybercrime Privacy

Arab Treaty on Combating Cybercrime

The Arab Treaty on Combating Cybercrime [الاتفاقية العربية لمكافحة جرائم تقنية المعلومات] was ratified by Oman earlier this month. This treaty is an Arab League international agreement that was adopted in December 2010 and entered into force in February 2014. It appears that the ratified members of this treaty at the moment are Jordan, UAE, Sudan, Iraq, Palestine, Qatar, Kuwait and Oman.
The main objectives of the treaty are to create an obligation on its members to implement in their national legislation provisions that criminalise a set of online offenses as well as put procedural rules in place to facilitate the prosecution of cybercrimes and the collection of digital evidence. The treaty also has a section for facilitating the cooperation between its members in dealing with transnational cybercrimes.

Categories
Copyright

Djibouti: Copyright Country Profile

Current Copyright Law:

  • Law No. 154/AN/06 of July 23, 2006, on the Protection of Copyright and Neighboring Rights [Loi n°154/AN/06 du 23 juillet 2006 relative à la protection du droit d’auteur et du droit voisin]: French Text, English Text*

Previous Copyright Law:

  • Law No. 114/AN/96/3e L on the Protection of Copyright [Loi n°114/AN/96/3e L relatif à la protection du droit d’auteur]: French Text, English Text*
  •  Order of February 7, 1963, relating to Law 57-­298 of March 11, 1957, on Literary and Artistic Property [loi 57-298 du 11 mars 1957 sur la djibouti propriété littéraire et artistique]: Text Not Available.

*Translation by WIPO.

Photo credits: “Aube dorée” by Olivier ROUX – CC BY-NC 2.0

Categories
Copyright

Comoros: Copyright Country Profile

Current Copyright Law:

  • Literary and Artistic Property Law of 1957: French Text.*

*Note: This law was passed during the French colonization of Comoros, and it is not clear if this law is in force.

Photo credits: “Indian Ocean Sunset” by David Stanley – CC BY 2.0

Categories
Copyright

Three Exceptions I Wish Omani Copyright Law Had

Like the majority of countries around the world, Oman does not have a concept of “fair use” in its copyright law. The default position under copyright law is that any use of a copyrighted work requires the prior permission of the author, even if that use is private, non-commercial, or does not affect the interests of the author. To ensure that the rights of the author do not restrict the ability of society to enjoy culture and exercise certain fundamental rights, such as freedom of expression, copyright law permits the public to use copyrighted works in certain circumstances without the need to acquire the permission of the author.

Categories
Copyright

Tunisia: Copyright Country Profile

Current Copyright Law:

  • Law No. 33 of 2009 Concerning the Amendment of Law No. 36 of 1994 Concerning Literary and Artistic Property [قانون عدد ٣٣ لسنة ٢٠٠٩ مؤرخ في ٢٣ جوان ٢٠٠٩ يتعلق بتنقيح وإتمام القانون عدد ٣٦ لسنة ١٩٩٤ المؤرخ في ٢٤ فيفري ١٩٩٤ المتعلق بالملكية الفكرية والفنية]: Arabic Text.
  • Law No. 36 of 1994 Concerning Literary and Artistic Property [قانون عدد ٣٦ لسنة ١٩٩٤ مؤرخ في ٢٤ فيفري ١٩٩٤ يتعلق بالملكية الأدبية والفنية]: Arabic Text.

Previous Copyright Laws:

  • Law No. 3 of 1967 Concerning the Amendment of Law No. 12 of 1966 Concerning Literary and Artistic Property [قانون عدد ٣ لسنة ١٩٦٧ مؤرخ في ٤ جانفي ١٩٦٧ يتعلق بتنقيح القانون عدد ١٢ لسنة ١٩٦٦ المؤرخ في ١٤ فيفري ١٩٦٦ المتعلق بالملكية الأدبية والفنية]: Arabic Text.
  • Law No. 12 of 1966 Concerning Literary and Artistic Property [قانون عدد ١٢ لسنة ١٩٦٦ المؤرخ في ١٤ فيفري ١٩٦٦ يتعلق بالملكية الأدبية والفنية]: Arabic Text.

Note: Tunisia inherited from France the Tunisian Artistic and Literary Property Law of 1889 during its time as a French colony.